Selasa, 27 Oktober 2009

FIRE AND STROBES

Dear reader, if this entry or my other blog entries don't answer your specific photography questions, you can call me on the phone anytime for advice by clicking here.

It is often difficult to capture fire with strobes or flashes. To get good images of fire it is best to use natural light, and let the shutter stay open as necessary. There are circumstances however when you may need to use strobes to light people or places, but need natural light to capture the flow of fire.


A local bartender named Shawn Horgan from the Alehouse in Saint John, New Brunswick asked me to do a shoot of the above drink, lit on fire. We lit the scene and subject with strobes, but found that the fire was very weak in appearance. An easy fix was to create two exposures; one for the subject (strobes), and one for the fire (natural light). As soon as we took the first photo with the studio lights we immediately took a second photo in Aperture Priority mode with no flashes. The result of the second photo was a nice flowing stream of fire. Since the pictures were taken so quickly one after the other, the subject didn't move at all.

In Photoshop, I simply cut out the fire and pasted it over the first photo. The results look realistic, and everyone involved was happy with the final product.


Mark's photographic prints for your wall can be purchased at www.markhemmings.com
Mark can be hired as a photographer or filmmaker via www.hemmingshouse.com

Selasa, 13 Oktober 2009

DRAMATIC LIGHTING

Dear reader, if this entry or my other blog entries don't answer your specific photography questions, you can call me on the phone anytime for advice by clicking here.

The greatest light in my opinion is dark ominous clouds with a late evening, horizontal blast of warm sun light. The directional sunlight is due to a break in the clouds at the horizon, and this light illuminates the landscape while the sky stays dark. This contrast makes for very dramatic photos!


When you encounter such a scene, make sure your camera is on its highest contrast setting, and try underexposing a little bit. This photo is untouched, straight from the camera. It was shot at a historic village in New Brunswick called King's Landing.


Mark's photographic prints for your wall can be purchased at www.markhemmings.com
Mark can be hired as a photographer or filmmaker via www.hemmingshouse.com