
It is my desire that these weekly lessons be profitable for photographers who want to make the leap from amateur to professional, but do not as of yet have the funds to buy all the necessary equipment. In this lesson I will show a very simple way to get decent interior photography results with minimal equipment.
Two weeks ago I was asked by a client to help create an ad campaign that involved teenagers doing unwanted housework. While I used studio strobes for this shoot, I could have just as easily used the following inexpensive set-up:
(The first step is to make sure you have a removable camera flash, also called a speedlight. You will also need a very long extension PC Synch cord from your local camera store. Purchase the longest one possible. If your camera doesn't have a PC terminal, ask your camera store clerk for a hot shoe PC terminal adaptor)
1. Using a tripod, compose the photo so window light is acting as the main light source hitting the subject matter. Take a test photo and make sure the subject is well exposed.
2. On a piece of paper, write down the exposure of the photo that you just took (f-stop and shutter speed).
3. Change your camera exposure mode to manual, and use the same shutter and aperture numbers that are written down on your piece of paper.
4. Connect your external camera flash to the PC extension cord, and have a friend place it behind the subject at a fair distance. Do a test shot to make sure the flash fires when the picture is taken.
5. At this point, there is only one variable for exposure, and that is the power of the flash unit. Since your camera is in Manual mode, the majority of the exposure will remain the same from picture to picture. The flash exposure however, may be either too bright, or not bright enough. Ask your friend to increase or decrease the power of the flash unit until the back of the subject is evenly exposed.
6. As you can see in my example photo, the uni-directional back light of the flash unit is balanced well with the frontal window light. Because the flash unit from behind is usually harsh and direct, you will get shadows similar to the one created by the roll of paper towels. I like this look, as it creates a "sharp" and contrasty look to the photo, which is usually required for commercial jobs.
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Mark can be hired as a photographer or filmmaker via www.hemmingshouse.com
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